A poster designed to accompany an exhibition of the same name, presented by the Royal Canadian Academy of Arts, 2025. Weltformat size, 128 × 90.5 cm (50.3 × 35.6 inches), ink jet. Design by Sulki and Min.

“In the brief for a poster to be featured in an exhibition about the work of the type designer Nick Shinn, we were inspired by a paragraph, written in English and French and required to be included in the work, that acknowledged the Anishinaabe Algonquin Nation’s precedence as the customary keepers of the unceded and unsurrendered territory on which the city of Ottawa is located. We wanted to make the acknowledgment more complete by presenting it in the Nation's language. We located a native Algonquin interpreter and asked them to translate the poster’s text. Then we presented it in a typographic form that inverts the normal visual hierarchy: not only is the otherwise invisible Algonquin language the most prominent here, but the acknowledgment is also featured as a main element, while the show's title is treated as a footnote. With the additional language, the poster also became literally text-heavy, allowing us to showcase a variety of Shinn’s Worldwide type family.”

> Sulki and Min, contributing designers, Seoul, South Korea